Marsha Music

The Detroitist

Musin’ on the Motown Review


 I remember the holidays of my childhood. During the Christmas countdown my Momma And Her Sisters shopped in a frenzy of  yule-time acquisition; the intensity of their excursions should have obliterated all of our belief in the North Pole. 

We were taken to visit Santa, nevertheless, at a Winter Wonderland created each year at the Ford Rotunda, a legendary automotive building –  for this was Detroit after all.

When the Rotunda burned down in the early 60’s (in my child’s mind, the end of the world, I thought there would never be Christmas again) our visits to Santa switched to the biggest, best downtown department store.

At the J.L. Hudson’s Christmas extravaganza I was on best behavior, standing proudly next to the elegant Colored women who worked the elevators, some of the most beautiful ladies in Detroit, regal and serious performing their floor-to-floor labors. That they weren’t allowed to work the sales floors I didn’t know ‘til I was older, and many such things had changed for us all. 

I remember Christmas Eve vigils, nearly sick with excitement, hot chocolate and cookies at the ready, even after I, the eldest, made them disappear to insure my younger sibling’s continued belief in Santa – a noble sacrifice indeed.

Unable to wait for parental rising, there was the 5 a.m. race downstairs. We swam in the wrapping paper of Hot Cars and GI Joes, Barbies and Easy Bake Ovens, and for me – books, always books. We visited cousins in our new Christmas clothes, opened more presents and ate under Grand Mamma’s firm church gaze, that warned that we best not forget “the real meaning of the day”.

With the exception of a squabble over a sibling’s gift, or later years of toppled Christmas trees from too much paternal drink – traumatic then, now fading into that hazy place where, if one is lucky, unpleasant memories go and are softened into funny family anecdotes – our Christmases were idyllic indeed.

But few of my holiday memories are better than the Motown Revue.


In an annual Christmas week ritual of the 60’s, for a few years Motown’s “Cavalcade of Stars” staged shows for throngs of Detroiters, black and white, who lined up around the Fox Theatre. It was better than the movies, the circus and Ice Capades wrapped up in one.

Standing in line we shook with cold and anticipation as we waited in our new coats and dresses, crinolines starched tutu stiff and quivering like antennae. Excited boys pulled loose from grown-ups, finger-poppin’ and Temptation Walkin’, imitating their favorite singers on the icy sidewalk.

Finally the doors burst open and the show began. Some of the artists were famous, some new; grueling bus tours, concerts and the Motown machine were molding them all into professionals.

The Contours, one of the earliest Motown groups, clowned and sang in the old soul way, a doo-wop vaudeville that was smoothed out of Motown’s newer acts though we loved them just the same.

The Marvelettes were fine with hair piled high, fringes shimmering in the lights. They sang “Mr. Postman” with the counterpoint claps and we thought they were as good as the Supremes – though of course there was no use arguing, the Supremes were the Supremes.

There was light eyed, light skinned, light voiced Smokey, he and his Miracles made the girls swoon and scream, though I assimiliated my Momma’s judgment, that he could neither really dance nor sing so well, but was still a genius.

“Just like Pagliacci did, I try to keep my sadness hid”, a cultured if ungrammatical lyric, one line out of thousands that Smokey inscribed. We danced to his intellect, sang to his rhymes; each new record proof he was a gifted urban bard.

Then there was the moment when the incredible 4-Headed Microphone appeared onstage, heralding the coming of the Temptations. The medley of their songs began and they took the stage: the sleek, dark archangels of cool, archetypal urban Black men, symbols of the Motor City.

Marvin Gaye and Mary Wells, Velvelettes and Vandellas, took and shook the stage. We applauded the “stars”, though they performed at local clubs and high schools and roller rinks, and could be seen outside the headquarters of Motown, or driving around town in pastel Cadillacs.

We knew each word and nuance of all the Motown songs, and endlessly choreographed our “routines” as if we would one day, in some fantastic emergency, be asked to perform. Still, the Temps, Four Tops, Supremes and all were almost a generation older than us; we were way too young for affairs and heartache, or the sweet seductions and lost loves of their songs.

No matter, we loved them, and their popularity had exploded across the land. Before us was the Sound of Young America, the hopeful, young America of John F. Kennedy, and Martin Luther King, and we cheered them on in our hometown Detroit.


8 thoughts on “Musin’ on the Motown Review

  1. Hi Marsha – this is Marsha who works at the court right. Great website. Im enjoying it immensely – keep up the good work.

  2. I remember it well – standing in line in the cold outside the Fox – you could pay once and stay all day – you evoke great memories

  3. Brenda, you know, I didn’t remember about paying once for all day. Thanks! You’re so encouraging!

  4. No matter, we loved them, and their popularity had exploded across the land.

    Yes, it did explode across the land. My hometown of Milwuakee felt this musical wave as did every other major city.

    Before us – right on stage! – was the Sound of Young America, the hopeful, young America of John F. Kennedy, and Martin Luther King, and we cheered them on in our hometown Detroit.

    And then it ended, sadly and abruptly. Philly Cream’s 1979 disco hit, Motown Review, expressed it all in one nostalgic phrase:

    Ain’t no more Motown Review
    And the Beatles have broken up too
    JFK has been shot, we miss him a lot
    He always knew what to do

  5. BTW – The place I referred to as “The Shindig” was called “The Village” before that. It was on Woodward and Alexandrine. Had a lot of good musicians show up from time to time to try out new stuff. Anybody remember it? TM

  6. I don’t know the Village, I think it was before my time. I DO remember Jerry and the Pacesetters though. Thanks so much much for writing.

  7. Yes I believe it was before my time too – I grew walking distance from Motown on the W. Grand Boulevard – Linwood and Virginia Park. Think Linwood Show, Pink Lady, Greenleaf Restaurant and Lounge where you could walk by and look in the window and you might see any Motown act dining.

  8. Oh yeah!I sure remember the Motown Review when it came to Nap town.Earl Vandyke and the band rocked along with the groups.

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